My favorite scene in Nomadland, which just won the Golden Globe for best picture, is when Frances McDormand as the main character Fern, is floating naked in a beautiful river, with her face tilted in serene ecstasy toward the sky. The camera lingers on her bare body, her patch of pubes and her breasts sliding to their respective sides. It's pure joy to see a body like ours on screen, without apologies or snickers or any hint of sexual voyeurism.
A fascinating older female lead is certainly a rare treat, but Nomadland offers more than that.
That kind of unflinching openness is what I love about the movie in general and Frances McDormand, specifically. The movie shows the world a real woman over 45 who has a complicated history and a strong spine. She isn't fretting about the lines on her face or the man who got away or how the world hasn't been fair to her. Even though she is in a fragile economic position--uh, homeless, some, though not her, would say--she is capable and in the process of figuring out her life, how she wants to live it from here on out. Sound familiar?
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